Francis Bacon (1909-1992)
نویسندگان
چکیده
Francis Bacon painted pictures based mostly on photographs published in encyclopaedias, popular magazines, the tabloid press, posters and packaging. He was interested reproductions of paintings by great masters. used Muybridge. Photographs, treated as tools, were later “worked on” artist, becoming canvas for his paintings. The scenes he chose – often drastic, depicting rape violence into canvases, creating a deformed image world that “emerged” from horrors both wars. portraits friends. These usually people with whom artist emotionally connected. self-portraits base series taken automatic photography, which selected several to form basis Real things persons should exist fictional space assigned them. By destroying literalism painting, wanted find similarity desired painting its principal, so rediscover realism. When portrait, tried capture appearance figure. After Bacon’s death, London studio (7, Reece Mews), restored conservators, “repeated” Hugh Lane Gallery Dublin. It contains about 7,500 objects, among them numerous had been torn up lovers friends, black white reproductions. ‘archive’ collected Dublin is now silent hint creative process who despite studies devoted him recorded conversations, still remains one most inscrutable artists 20th century.
منابع مشابه
Psychopathology in Art—Meditation on Francis Bacon
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One of the most fascinating and thought-provoking periods in the history of chemistry is the coexistence in Western Europe of the ancient alchemy (having most likely arisen from Hellenistic and Arabic influences) and the rational, scientific chemistry we know today. By its own nature, this is a rather indeterminate period ranging from the Renaissance (around the 15 and 16 centuries) to early in...
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ژورنال
عنوان ژورنال: Zbornik radova Filozofskog fakulteta u Splitu
سال: 2021
ISSN: ['2459-5128', '1846-9426']
DOI: https://doi.org/10.38003/zrffs.14.11